"I Had to Think Quickly" Pretty Much Says It All !

Contrary to my expectations (you know, reads only mysteries written by women with female main characters), I really liked this book.

I didn’t realize that this is a new series and a new genre (Mickey Haller vs. Harry Bosch and something-something vs. thriller) until I trolled around on Amazon.com and read some editorial reviews once I’d finished the book. That being the case, I’m pretty confident I would gladly read another entry in the new Mickey Haller franchise. I’m not sure about the Harry Bosch books, but given how much of a page-turner The Lincoln Lawyer was, I’m reasonably confident I’d probably like anything Michael Connelly cranked out.

I’m aiming to be less wordy these days, so here are my slightly more succinct thoughts:

“I had to think quickly” is the mantra for this guy and he proves it time after time. He’s an on-the-right-side hustler with extremely strong street and legal/tactical skills. I found him immensely appealing.

I like the slight spin on the hard-boiled, ambulance-chaser genre. Mickey is relatively successful at what he does (scoring the occasional “franchise” cases and getting around in the titular Lincoln Continental using one of his more dead-beat ex-clients as his driver). It was also a switch from the usual pattern of ethical-if-rule-bending PI locking heads with a slimeball attorney.

I especially liked the insider info on how the defense system really works—the deals made, the loose and often acrimonious interactions between criminal attorneys (balanced with some unexpected acts of camaraderie), the prosecutors, and the judiciary. It reads as true, although only our Bethie, JD, can really comment on that with any real knowledge.

I also liked the twist of having Haller represent a client who he knew was guilty of not one but a number of murders, including the murder of his close associate and friend, Raul Levin. It is unusual in this genre for a protagonist to be shown doing an effective job representing a client he actively hates and sees as profoundly evil.

I’m not sure exactly what constitutes a “thriller” as opposed to a mystery, but I did find that I had trouble putting this book down—I really wanted to know how it turned out and, unlike the more pragmatic Chairman Ann, I rarely let myself read the end until I actually get there, so I found it difficult to put the book down because I was so strongly engaged in the story line.

I also saw this book as being easily translatable to the cinema. Maybe I’m watching too many Netflix these days—suddenly, EVERYTHING seems like a potential movie to me!

OK, It's Finally Come To This...

I cede to Ms. Brenda's weekly "Brenda's Blast" on each PR episode. I can do no better; actually, I can do a lot worse. So I am going to use my powers for minutia and troll around on the internet until I find something interesting and PR-related to share with you bitter fauns.

So here's this (last?) week's best blog:
____________________________________________________________________

Gasp! No! Tim Gunn may stop posting ‘Project Runway’ vlogs after ‘hurtful reaction’ to Episode 8 video

Tim, your vlogs are a highlight of my week. Don't make me get a real life! I'm not ready!

For the record, I fully support Tim Gunn and his informative, opinionated, hilarious vlogs. I believe he must take his own advice and carry on. But right now it’s not clear if he will.

Obviously Father Tim is an angel that fell from the sky, but even he knows when he’s gone too far — and he may have gone too far last week with the “Project Runway” Season 8 Episode 8 vlog.

(Little did I know my thrown together recap would briefly become the definitive transcript.)

In the vlog, Tim disses last Thursday’s Jackie Kennedy challenge structure and calls out producers by name. Shortly after it was posted, the vlog mysteriously disappeared from Tim’s Facebook fan page.

Tim told the New York Post that the decision to take down the video was completely his own.

“Lifetime had nothing to do with it. I did it completely on my own,” Tim told The Post yesterday. “There was a hurtful reaction to a couple of things I said, and that really concerned me. That was never my intention. I thought, ‘Let me just take this down.’”

Tim’s mouth may be his own Waterloo. Knocking Taylor Momsen and Anna Wintour is fine, but he has to work with these “Project Runway” folks every week, so he really should show a little discretion.

But this is the part that scares me:

Tim says he’s not sure now if he’ll be posting any more “Runway” critiques on his Facebook page.

“I’m debating it,” he said. “I don’t want to hurt anyone, and at the same time I want to be able to talk matter-of-factly. The experience with this episode has been very sobering for me. It’s kind of a wakeup call — you just can’t say anything, yet, at the same time, there are things I want to share. I need to be a little more careful about it, even though we all make mistakes.”

NOOOOOO!

Tim, yes, be more careful and don’t use the producers’ actual names when you’re spouting off on the vlogs, but YOU MUST CARRY ON! You are The Truth about “Project Runway.” The world would crumble into a sluttyslutty/threw him under the bus/looks cheap/hot mess without you and we’d never find Andrae. PLEASE keep posting the vlogs!

PR: S8E9 Brenda's Blast

Never in the history of Project Runway have I heard a guest judge -- Naeem Khan -- give such useful and thoughtful comments to the designers. I think the Duchess should be worried!

Never in the history of Project Runway have I seen so many glue guns in the workroom! I am shocked and appalled.

Never in the history of Project Runway have I hated outfits more. When are they going to send Gretchen home? I really really really dislike her vision. Okay so I did like the pink and gold beading on the back of the haute couture outfit, but are there really that many aging rich hippies who will support her collections?

PR: S8E8 Brenda's Blast

Loved "The Sassy Curmudgeon's" essay. PR is providing such fodder for the world and me with such an education. Man-bangs? Tia Carrere? How could we have ALL gone 8 seasons and not used "under the Gunn" until now?

If you are like me and behind on watching Tim's Facebook "videos", the one that was pulled is of course still there. You just have to go to Viddler and all will be revealed/replayed/relived.

All I have to ask about this episode is what exactly is "outer ware"? Isn't everything "outer ware" on some level?

Okay, so I have more to say with regards to my top and bottom lists. I did have Mondo on my top list, but I had all of those three "safe" bitter kittens sitting in the green room on the boring/bottom list. How could I have been so wrong? Gretchen safe? Oh please Jackie would never have worn that outfit, maybe Obi-Wan Kenobi, but NEVER Jackie O.!

Who Knew "Interview" is Also A Verb? New Source for PR Snark Follows! And Tim Gunn Vlog Controversy...

Dear Unborn Bitter Kittens (these nicknames are getting a bit out of hand, aren't they?). Rather than use my allotted space to wax non-poetic about last week's PR debacle, I am introducing you to a very snide recap I found on The Huffington Post this morning.

And more earth-shattering news, for those of you who didn't scurry right over to Tim Gunn's vlog earlier this week, in which he soundly chastises (Tim would chastise, not attack, right?) the producers for a royally fucked-up challenge and the judges for continuing their descent into crack-whoredom...it's been mysteriously removed, presumably due to objections by Lifetime TV on his blunt and honest take on how screwed-up the production/creative values of the show have become. Wild speculation on the part of the commentariat that either Tim just WANTS to get fired so he can move on to something more fun (after all, his book hit # 5 on the NYTimes best-seller list in the first week it was out) or that the producers want to severely reign him in or fire him because he speaks -- how you say? truth to power, and that's never a good way to stay gainfully employed.

By the way, there are photos of each designer's work in this episode on the blog itself, but I couldn't figure out how to make them show up in "Blogger". Chairman Ann, is that just a limitation of the application?

And now, read on:

Una LaMarche.Editor of 'The Sassy Curmudgeon'
Posted: September 20, 2010 09:00


Project Runway Episode 8 Recap: Camelot/Camel Toe
Previously on: In exchange for doing a boring resort wear challenge, Tim got everyone drunk and Michael Kors gave out free sunglasses. But mimosas and swag could not prepare the designers for the wrath of the velvet bag, which divided them into teams of two and forced them to sew each other's looks. A seamless collaboration with Christopher resulted in a first-time win for April, while Michael Drummond struggled with Ivy's design (and crazy-making micromanagement). In the end, though, Casanova's grandma-inspired outfit sent him back to Astoria to continue playing with New York's balls.

It's morning at the Atlas apartments, and everyone, it seems, is tweezing his or her eyebrows. "Is it quieter in here?" Chris wonders aloud, and if you listen very carefully, drowning out the soft drone of Andy's airbrush makeup machine and the snap of elastics as April perfects her Pebbles Flintstone bun and the clatter of Michael C's eyes rolling around in his head, you can almost hear Casanova whisper "Exxxxxaaaaaaactly."

"The work room will be less fun without Casanova," Michael D. interviews. And, well, yeah. Once the sluts and the old ladies have left the party, who's worth talking to?

I think Michael Costello and Andy are in an apartment by themselves now, which is unfortunate because Andy clearly loathes Michael C. Every scene consists of Michael C. yapping away about something and Andy gazing up through his man-bangs with an unmistakable look of thinly-veiled contempt. In this instance, MC is explaining how he got called out during judging for bad-mouthing Ivy. Over in the ladies' bunker, Val asks Ivy how she's feeling. "Yesterday was yesterday," Ivy says bluntly, adding in a talking head that people have told her before that she'll never make it and that she can't listen to those idiots.

One of those idiots is, apparently, Michael D., who tells Chris and Mondo that he thinks Ivy "really needs to prove why she's here and step it up." He cites her monochromatic palette as a drawback, observing dryly that "opaque is not a color." Ooooooh, Michael, them's fightin' words. Color you badd, girl.

At Parsons, Heidi emerges (bagless!) onto the runway. "For this challenge," she tells the designers, "You will be looking to the past to secure your future." Gretchen, who is dressed like some cross between Liesl von Trapp and a Grateful Dead roadie, says that stepping back in time could mean anything, and that all she knows is that she doesn't want to be forced to make a corset. She says this while making a pronounced stankface, which leads me to believe that Gretchen is not a big fan of boning.



The gang arrives at something identified onscreen as "Capsule Studio" to find Tim standing in front of a big white sheet upon which images of Jackie Kennedy are projected. Welcome, friends, to the most ghetto challenge intro in Project Runway history.


"No, I'm totally serious. Lifetime has run out of money. Your challenge this week is to run the slide projector while I go get tanked with the cast of Army Wives."

They don't even have a pretend special guest who works for one of the show's sponsors (we all know Collier Strong could rock a Chanel suit). They don't even have a gimmicky location (JFK airport, anyone?). Tim is just kind of like, "Jacqueline Kennedy represents how the world perceives classic American sportswear, so, um, make something like that."

(Here I should mention that I have a bias against this challenge because I do not and never will understand what "sportswear" is supposed to mean. It sounds like it means exercise clothes, or sport-specific attire like the saddlebag-baring nylon short shorts I was forced to wear at high school track meets. That's what Wikipedia thinks it means, too, but in fashion, apparently, "sportswear" just means anything you wouldn't go to a cocktail party in. A trench coat can be sportswear, as can pants as can skirts as can dresses. If it's made of wool or cotton, it qualifies. Which, in my opinion, is too vague to make for a decent challenge, especially on the heels of the resort wear week, which was also boring and vague but which at least trotted out a cruise ship and a dramatic twist to distract us.)

At Mood, Mondo reveals a special pathetic fallacy: apparently, he can commune with fabric. "The bolts have voices," he tells us. "They say, come over and pick me up." Tim tells Gretchen to remember that she's a leader -- as if she needs the reminder; Gretchen's ego is more inflated than Heidi Montag's boobs these days. Ivy says that she has no clear vision but has chosen her colors: white and black or white and navy. (WOAH, Higa. Let's not get crazy now.) Michael Drummond second-guesses his choices at the cash register...

...and continues to do so back in the workroom. "This will either be really good, or really bad," he muses. "I don't like sportswear." Meanwhile, no sooner has Mondo draped some fabric on a mannequin than Gretchen becomes concerned about his look. "I feel he might not be hitting the nail on the head with this one," she interviews. Aaaaaaaaaaagggggggggghhhh, no one asked you, Gretchen. Well, okay, fine, the producers probably asked you, but don't you have more important things to do, like hand-cut some chevron patterns or style your lady mullet?


Business in the front, petty in the back. Hey-o!

I know I'm being bitchy this week. Forgive me -- I'm hormonal and I'm halfway through a liter of Diet Coke. Also I'm wearing my husband's boxer briefs and a shirt that says "Snackers do it between meals" as I prepare to judge the clothing of others. Wait, what am I saying? Pay no attention to the woman behind the curtain! (Also, in my defense, I got the shirt for free. The only slogan tees I purchase have obscure LL Cool J lyrics on them. I am nothing if not discerning.)

Where was I? Oh. Michael Drummond is entertaining the work room with his one-liners. "For this challenge I decided to channel the earliest Americans -- the Puritans!" he crows, working on a prairie-like skirt. Valerie once again compares herself to Susan Lucci and bemoans her failure to win a challenge after coming so close so many times. Mondo interviews that people are psyching themselves out, and that the group is now so small that if you even screw up once you're going home.

Michael C. is ensuring he doesn't go home by making approximately 200 different dresses. "This looks too flight attendant/stewardess, right?" he asks Andy, who glances over through his man-bangs and says, "Kind of," in a voice that implies, "Go fuck yourself." Forget Austin and Santino, these two need their own show. Meanwhile, Val and Gretchen make fun of the parachute pants Andy is crafting. "I'm kind of worried about Andy's pants," Valerie says. "I kind of hope he keeps going with it." I just love me some schadenfreude.

Tim comes to check in. He starts with Christopher, who is making a gray cocktail dress that might best be described as "stately." ("No one is gonna want to see that at Fashion Week," April interviews. "It looks like my grandmother's clothes.") Tim is troubled by Michael Drummond's skirt, likening it to Annie Get Your Gun. "I also don't want her to look like she has a ruler and beats children," MD jokes, which cracks Tim up. Next up is Valerie, who's making a fitted black pant that Tim finds "vulgar." Valerie asks what she should do and Tim tells her she has to make the choices. Michael D. interviews that Val doesn't want to make design decisions on her own. Faring better under the Gunn is Mondo, whose fabric choice -- an oversized herringbone print in black, white, and purple -- makes Tim giddy. "If you took Jackie Kennedy to the desert and gave her some mescaline to eat, then you would have Jackie Kennedy in Mondo," says Michael Drummond. And now I think we know why Mondo can hear fabric talking to him.

The models arrive. Mondo's model says that the outfit reminds her of the First Lady, and Mondo mumbles, "First Tranny." (That's right, birthers -- you've been so focused on finding Barack's secret Kenyan documents that you've completely overlooked the REAL coup: Michelle is a DUDE.) As Andy fits his pants on his model, April interviews that Jackie K. would not wear them no matter what the time period, adding that the fit "was, like, goin' up her ass!"


Unwittingly, April makes a pitch-perfect "up the butt" face.

In keeping with the kinky theme, Andy ties a piece of lace around Michael D's eyes, leading Gretchen to declare MD's workspace "the Prairie Home Sex Shop."

The day of the runway show (OR IS IT??? <--foreshadowing, I rock at it), April says she thinks all of the girls are in the clear, and that Andy's outfit is more like "Jackie Yo!" than Jackie O. Over in the boys' room, Michael C. sucks up to Andy and says that Jackie would totes wear the parachute pants because she was a risk-taker. Michael Drummond and Chris tell Mondo that he looks kind of like Jackie, if she came back as a tranny.

At Parsons, Tim comes in to announce that it is NOT, in fact, a runway day (!!!). Instead, the designers will have the afternoon to create a piece of outerwear to complement their existing looks. Michael D. is excited because, as he explains, "I'm a knitwear designer by trade -- I am Captain Outerwear." (Incidentally, Captain Outerwear was one of Marvel Comics' least successful franchises, as a musclebound man wearing nothing but a codpiece, tights, and a trench coat was deemed potentially inappropriate for children).

Michael C., on the other hand, is less than enthused with the twist. "I'm from Palm Springs," he says. "I don't do outerwear." Valerie already made a jacket as part of her look, and asks Tim if it counts. Tim says no and snaps that he "was surprised to see you had created a jacket." Okay. Y'all know I don't usually take issue with Tim, but first of all, contestants make jackets all the time, and there was no reason for Valerie to think she couldn't make a jacket as part of this incredibly vague "American sportswear" challenge. Secondly, why does Tim hate Valerie? Sure, she can be annoying, but she's no villain like Emilio. And yet there is clear, one-sided animosity there. Anyone have any insights? Or is Tim just on the rag like me?

Everyone goes back to Mood, which is uneventful except for this little gift from the editors, an Everybody Hates Gretchen short. Michael C. is looking for a soft stretch wool and sees a bolt sticking out. But when he goes to take it...


You're not grabbing that, actually. You're ten feet away.

Granted, Gretchen may have pulled the bolt out from the wall before Michael came along, but the point is that the editors want her to look like an asshole. "I could have been a bitch about it, but I rise above it," says Michael C., unconvincingly.

Back (yet again!) in the work room, Val is heartbroken over the challenge, because she is an outerwear designer but got tripped up by the twist seeing as she already had a jacket made. Meanwhile, Chris struggles with the long, nappy fur on the incredibly unattractive hide he has purchased.

Michael C. made a beige jacket but it looks like a terrycloth towel. Gretchen interviews that during every challenge, MC "creates multiple things and then waits for Tim to tell him what to do." Michael C. knows that people are talking about him and wondering how he could have won two challenges, but decides that "if you're gonna hate on me... then step up your game and win a fucking challenge." Touche.

Tim comes back--again!--for critiques. This is mostly notable because it's when he says the best line of the episode, to Andy: "Jackie Kennedy would not have camel toe." Camelot? Yes. Camel toe? No.

The next morning, at Atlas, Michael Drummond thinks he is going home. And Mondo thinks, apparently, that he is starring as the emcee in the Lollipop Guild's production of Cabaret.



Either that or he's the lesbian love child of Dora the Explorer and Lisa "Left Eye" Lopes.



In the sewing room, Valerie tells Gretchen that she's on the fence about Michael C.'s dress, and Gretchen replies that she's not into it. "Will the judges overlook that it's a knockoff?" Val wonders, and Gretchen says that they have every other time. Michael Drummond interviews that some people are not into Michael C. because they're elitist and have big heads. The editors cut to Gretchen, which I'm sure is just a coincidence.

Christopher loves his dress, but his shrug? Not so much. (And with good reason: It looks like fresh roadkill.) At the eleventh hour, the zipper on Mondo's skirt breaks and he nearly has a heart attack. Michael D. is still sewing his jacket two minutes before runway time. As they head out the door, Gretchen feels compelled to share that she's nervous for 50 percent of the room. "Andy's doesn't read Jacqueline," she interviews. "Michael C.'s is just a cocktail dress with a jacket over it. Christopher's is just odd!" She can't even fathom who will be in the bottom three because she thinks there might be more than three in the bottom. Oh, shut it, Gretchen.

Guess who's guest-judging this week? Betty Draper! I look forward to many affectless stares.



Here we go:

_________



CHRISTOPHER



Let's put aside for a moment the fact that the shrug makes it seem like Chris' model is getting felt up by the Crypt Keeper from behind. The dress is pretty but underwhelming, and the belt looks like something from a kid's Power Rangers costume. But the shrug is the worst. It's like she's carrying around her dessicated pupal skin. How you doin', sixth grade biology?

APRIL


We didn't get to see any of April's construction process, so I actually don't know precisely what this is. I know it's, um, black. And probably inspired by a morgue, or mental institution. Maybe it's just my eyes (I've almost drained the liter of Diet Coke by now, and have been staring at my computer screen for almost 6 hours), but to me this looks like most of April's other work: a vaguely punky, black mishmosh.

IVY


I do like this, but I don't love it. First of all, it's Ivy's, and I don't like her. So there's that. It also strikes me as very safe in certain ways: Jackie O. has worn outfits quite similar to this one and the model is styled to resemble her. I have reservations about the pants from this angle. But I love the asymmetrical neckline and the sheer organza coat. So, begrudgingly, I will say: Well played, Ivy. Well played.

MICHAEL C.


Meh. This looks like an outfit some fictional harlot would wear to school on one of those C-list teen dramas like One Tree Hill.

GRETCHEN


This is Robin Hood by way of Anthropologie. It's Maid Marian after a spree at Urban Outfitters (and a trip back in time to my closet in 1996 to steal the sweet brown halter top I bought from Contempo Casuals with my birthday money from grandma). As much as I dislike Gretchen on the show, I can usually concede that she's one of the better designers. But this is just ugly.

MICHAEL D.


Dear Jessica Wakefield,

Just because you have a perfect size six figure doesn't mean you look good in everything.

Love,
Una

Sorry, I have a long-standing beef with J-Dubs. Anyway, listen: the skirt is fugly and needs to die. I don't know what he was thinking. The tops are... weird. The jacket is cute but doesn't go with the rest of it, and isn't cute enough to save the rest of it.

VAL


I've been avoiding making the following observation because it has nothing to do with the clothes, but... does Val's model look a little bit... world-weary to anyone else? I just want her to lie down and take a nap. Anyway, the outfit is not helping. It's not a total eyesore, but it's frumpy. Something about the fit and the proportions are just not chic. And the skirt looks really cheap. I think Val would have been better off sticking with the original pants.

ANDY


The hair and the boots make me think this is one of those American Girl dolls -- specifically, Felicity, the spunky Colonial-era equestrian. But the pants make me think of a lesser-known American Girl, Baggy McBunchyCrotch, a Scottish immigrant living in squalor in a New York City tenement whose mother made clothes from sooty bedsheets. Unsurprisingly, that doll was discontinued due to poor sales.

MONDO


[The heavens open]

"Dreamweaver" starts playing, and not just because Mondo's model kind of looks like Tia Carrere.

Now this is some sportswear I can get behind.

Sure, it's a little Jackie Yo! Gabba Gabba, but that's Mondo. And that's why I love him.

_________

Back on the runway, Heidi calls forward Michael C., April, and Gretchen, all of whom are safe. As they enter the designers' lounge, Michael C. says he thought he was going home for sure. Gretchen is also shocked, but for different reasons. "I thought mine looked like the modern spirit of what sportswear is," she says, shaking her head in disbelief. Michael C. immediately agrees with her, and then interviews that what he said was total bullshit. And I kind of love him for giving Gretchen the same fake, patronizing encouragement she gives so routinely to everyone else.

The judges critique Valerie first. Heidi makes a big deal over the fact that Val has two pieces of outerwear, and I wonder why they don't let her explain that she had already made the original jacket when the twist was announced. This whole challenge seems really unfair to Valerie for that reason, but the judges don't cut her any slack. Michael Kors calls the whole thing sad. "The ankle boot confuses me with that length of skirt," says January Jones, which strikes me as unintentionally hilarious. Nina points out that every time Valerie makes a design reference it's pleating and zippers. The judges are bitchy this week!

They spare Christopher much of their venom, heaping praise on his dress. But as for the shrug... "It looks like a dirty old rug," Heidi says flatly. Everyone agrees that the dress looks much better without it.

Michael Kors takes umbrage at Michael Drummond's "schizophrenic Jackie" (perhaps Parker Posey in The House of Yes?). "This is a woman who, quite frankly, looked fabulous for four decades, and now she's in a mall!" MK says, "And the fact that you think what you've made has anything to do with American sportswear... I'm insulted." Nina also invokes Jackie's iconic status, as though making a drop-waist skirt is tantamount to taking a crap on her grave. Heidi thinks the top doesn't fit. "It looks sloppy," says Betty Draper, who is probably drunk.

Mondo says that he has a photo of Jackie in his kitchen, and drew inspiration from the images of her running from paparrazi. Heidi thinks it looks sharp, and while the print is loud it's something Jackie might wear. Heidi also loves the purple lining of the jacket. MK thinks the striped tee is fabulous and well-tailored. Nina says that the mix of prints is very clever, and that the overall outfit is fun yet still elegant and chic.

Ivy wanted to create something timeless that played with shapes. MK says that it's intrinsically elegant, noting that the styling is very Jackie O. He likes the neckline and the architectural quality of the top and jacket. Heidi disagrees, saying that there's too much design in the top, and citing the too-small jacket's "boob hole." Nina thinks it was smart to keep it black and white.

The judges have been pretty nice for a few minutes, which means they have a stockpile of vitriol to vomit all over poor Andy. And really, it gets ugly. Heidi says she wanted to crack up when she saw the look. January Jones says that she doesn't really see American sportswear in the clothes, and when Andy says that he he struggled with it because he doesn't necessarily see himself as an American sportswear designer, MK snaps, "So what are you, a grand couturier? Did I miss something?" He goes on to describe the ensemble as "MC Hammer meets the Beverly Hillbillies grandmother." Heidi is still cackling over the pants, and taunts Andy, asking if he wants to come down and look at them from another angle. Then Nina goes in for the kill, attacking the vest and the shirt, and calling the overall look "a train wreck." It's like they're mean drunks.

Backstage, everyone agrees that the judges were unusually tough. "They basically laughed at me," Andy says. "That was hard to take." Michael Drummond says that the whole Jackie O. style icon for the ages thing put too much pressure on everyone. Valerie thinks she's going home.

The designers reconvene on the runway. Heidi announces that Mondo was the clear winner of the challenge--yay! Mondo absolutely deserves this one. Christopher is also safe, followed by Ivy. Despite being so thoroughly shit upon, Andy is also safe. Which leaves Season 8's comic relief duo, Val and Michael D., in the bottom two. They look at each other and sigh.

Heidi lowers the boom: Valerie created inexpensive, badly executed mall wear. Michael's look was an unfortunate mis-match that was bulky and unflattering.

"Valerie... you're in."

Which means Michael D. is out.

Ah, well. It was his time. I would have been more upset if Val had gone home; even though she needs to get her groove back, I think she's the better designer. And hey, at least now I can stop using an initial after the name Michael. Tim comes in, visibly distraught, and bids adieu to Michael (D. -- last time!), who skips off to look up "Waterloo" and return home to his giant electric loom.

Next week: The winner of what looks to be the L'Oreal-sponsored challenge gets some unprecedented prize that gets everyone excited. Valerie considers forfeiting and cries in the bathroom. Tim makes a big announcement that spooks him so badly he's shaking. And Heidi tells someone that they have to choose between boobs or legs (it's unclear if she's serving poultry at the time).

PR: S8E7 Brenda's Blast

Well, not like you need to be told, but .....

I think it is clear that there has been a major "falling out" with Heidi and her gays because yet again she appears in two outfits that just boggle the mind. "So you thought you looked great"?

I think the Duchess needs some "in front" of the camera lessons. During her visit to the workroom to give helpful criticism, her eyes kept looking and finding the camera. So distracting.

One of the most charming images was Mondo and Michael C. in the green room with their arms wrapped around each other. Aaaaaaaaaah

Again did not have many of the correct designers on my top or the bottom lists. Have lost my touch.

So puzzled and will only say that Andy was robbed!

60 Lbs. of Footwear

Bitter kittens, unborn fauns, minions--I haven't read ANY of the books for the past couple of months, although I'm working on The Lincoln Lawyer and feel confident that I'll actually finish it. I've also blown off the September book for the P-Town Library Book Group--The Yiddish Policemens' Union, which I tolerated with gritted teeth for 80 pages and then said, "The hell with it..." (of course, I said this in Yiddish!!!) and threw it across the room. Michael Chabon is a brilliant stylist and his use of metaphors/similes (I'm using both terms because I honestly don't know the difference between them!) is unparalled but below that shiny surface, there needs to be a story that's interesting and there just wasn't one there as far as I was concerned. So even more chances that I'll read at least one of our summer books in the next week or so.

I'm thoroughly enjoying PR, Season 8, but don't have much to comment on. Between Brenda, Bethie, Ann and Tim and TLo, just about everything that needs to be said about the Mean Girls and the Sweet Nerds has been placed under a fine microscope and analyzed to death. And then, even if none of you have been coerced into watching Mad Men, I am INTENSELY devoted to it and watching each episode and then trolling the blogs (TLo now posts nearly every day on this show--the plots, the themes, the--yes--metaphors and similes, the clothes, the props)--I am living half of the time in 2010 and the other half in 1965. How can I get at least one of you interested in this show so I can have a Mad Men pal I actually know, not some cyber acquaintances whose opinions are not as meaningful to me as those of my dear friends, y'all!

See the method to my madness? I've posted to the blog but haven't read either of the two (or four) books on the table. Really, posting is almost as good as actually reading a book, am I right or not? Well, not but still...give me a "C" for effort.

I do have Laura Bennett's book in audio form on my Kindle and see a nice, lazy weekend ahead, listening to her opinions (she narrates her own book) on matters fashionable and maternal, lounging in my favorite chair and stitching on my new needlepoint frame, "the last needlepoint frame you'll ever need" per the brochure I received and I think it may be true. Brenda, I see one in your future.

All in all, good times!!!!

Think of a Numb3r - review

First the disclaimer. I wish I could write better reviews, but I trust the rest of you will be beautifully descriptive.

I liked this book a lot. I was a little worried that the crusty, introverted detective would be like so many other crusty, introverted detectives, but Gurney was more complex. Glimpses of his personal failings, but no excessive dwelling. Although, I did think he was rather young to be retired (being 11 years younger than me -but enough of the resentment digression).

Also liked the supporting cast, although the DA and Captain were a bit too much of a stereotype. These sections seemed like they were the previews of the movie script.

I thought the plot twists were believable and not a tortured way to reach the desired ending. I was also most happy that the author did not take the easy route and have the ending at Gurney's home with Madeleine held hostage.

Excellent first book. Hopefully, Verdon has more books in him.

Review: Buy it. Nice to have a first edition.

PR: S8E6 Brenda's Blast

Good morning BLBC gang,

+ while I normally don't like all that rehashing (i.e. remember last week's challenge, one week you are in ...., one of you will win and one of you will be out, etc.) that takes up important time I have to admit to enjoying seeing Tim's Green Room Rant twice ... now why couldn't they keep showing that during E6?

+ I am with Andy this time around ... "what do the judges want"?

+ since I only had Mondo and Peach in the top and bottom I am just going to drift off and present other stuff

a) some very weird shoes/socks, pom-poms on that guest judge and then there was that weird tear in her sleeve ... she would have loved that gaping eye/hole in the back of that jacket from last week

b) shouldn't time be spent on discussing Heidi's appalling outfits? ... where were her gays this episode?

c) and because I was so charmed by "I am in a Peach Panic" ... I submit the following for your review and use

I am in an Ann Alarm

I am in a Susan Stampede

I am in a Bethie/Brenda Bust

+ finally I close with Mondo was robbed!!!!!

+ wishing you all a good Sunday morning

tootles,

brenda